
Strategy
Part of How to plan a connected TV advertising campaign
A connected TV advertising planning template keeps decisions visible
A practical connected TV advertising planning template covering objectives, budget, creative, measurement, compliance and a scoring rubric for UK planners.
What to take away
- Decide what a finished plan must prove before you choose the format: a signed-off objective, a budget split, a creative route and a measurement owner. If those four are not fixed, the template will not save the campaign.
- Treat the template as a scored document, not a blank page.
- Build the compliance and creative sections early, because Digital Markets, Competition and Consumers Act 2024 changes how digital advertising is regulated in the UK.
- Keep one page for assumptions and one page for evidence. Mixing them is how plans drift.
Start with the decision the plan must support
A planning template is only useful if it answers a question someone has already asked. That question might be whether to move budget from linear TV, how to reach a younger streaming audience, or how to test a new format without risking the whole quarter.
Decision Header Checklist
- Write decision in one sentence
- Give decision a date
- Name the owner
- Cut sections that don't support it
The Connected TV advertising: strategy and planning guide sets out the wider choices, so use it before you fill in rows. The template then becomes the record of those choices, not a substitute for them.
Write the decision at the top of the document in one sentence. Every later section should either support it or be cut.
Give the decision a date and a name. A plan that says "test streaming in the spring" is weaker than one that says "decide by 14 March whether to renew the streaming buy, owner: media lead".
The seven sections every template needs
1. Objective and success measure
State the business outcome, the audience, the time frame and the single measure that will decide success. Avoid stacking three or four measures, because no plan can be optimised against all of them at once.
Seven Template Sections
- Objective and success measure
- Budget and buying route
- Audience and platform mix
- Creative route
- Measurement and reporting
- Compliance
- Review
2. Budget and buying route
Record the total budget, the split between platforms, the buying method and the currency. Label every figure as an illustrative example until a platform quote replaces it. For example, a team paying £400 a month for a managed service should show that as an assumption, not a cost.
As an illustrative UK guide, agencies often quote connected TV and BVOD inventory in the region of £20 to £40 per thousand impressions (CPM). The rate depends on targeting, season and platform.
3. Audience and platform mix
List the audiences you can actually target, the platforms that carry them and the overlap between platforms. Note where measurement is shared and where it is not.
4. Creative route
Set out the number of assets, the durations, the formats and the approval owner. The Mobile Creativity FAQ | IAB UK is useful here because its creative standards apply to much of the short-form video that runs on connected TV.
5. Measurement and reporting
Name the reporting source, the reporting cadence and the person who signs off the numbers. If two sources will disagree, say so in advance.
Agree definitions before launch. If the platform counts a completed view differently from your analytics, write both definitions into the row so the disagreement is expected rather than discovered in the report.
6. Compliance and risk
Record the regulator and the rules that apply. The Advertising Standards Authority enforces the CAP Code for advertising claims. Part 4 of the Digital Markets, Competition and Consumers Act 2024 covers unfair commercial practices, and its banned practices list includes misleading actions.
The Competition and Markets Authority gains direct enforcement powers for these provisions from April 2025. Note the claims that need substantiation and the approval route. Keep this section short but specific.
7. Review and exit
Set the review date, the criteria for continuing and the criteria for stopping. A plan without an exit rule tends to continue by default.
The seven headings are the copyable scaffold. Paste them into your own document and fill the rows. One completed row reads like this:
Field / Worked example
- Objective
- Decide by 14 March whether to renew the streaming buy
- Budget
- £40,000 split 60:40 across two platforms, assumptions labelled
- Owner
- Media lead
- Date
- Signed off 2 February
Use a scoring rubric to force progress
Score each section from 0 to 3 and record the evidence. A section without evidence cannot score above 1.
Scoring Rubric by Section
Section
- Objective
- Not written
- Budget
- No figure
- Audience
- Not defined
- Creative
- Not briefed
- Measurement
- Not named
- Compliance
- Not reviewed
- Review
- No date
Score 0
- Objective
- Draft
- Budget
- One figure
- Audience
- Broad list
- Creative
- Brief drafted
- Measurement
- Source chosen
- Compliance
- Rules listed
- Review
- Date set
Score 1
- Objective
- Named owner
- Budget
- Split by platform
- Audience
- Platforms mapped
- Creative
- Assets approved
- Measurement
- Cadence set
- Compliance
- Claims checked
- Review
- Criteria drafted
Score 2
- Objective
- Signed off and dated
- Budget
- Assumptions labelled
- Audience
- Overlap noted
- Creative
- Formats fixed
- Measurement
- Sign-off owner named
- Compliance
- Approval route agreed
- Review
- Stop and continue rules agreed
Score 3
- Objective
- Budget
- Audience
- Creative
- Measurement
- Compliance
- Review
| Section | 0 | 1 | 2 | 3 |
|---|---|---|---|---|
| Objective | Not written | Draft | Named owner | Signed off and dated |
| Budget | No figure | One figure | Split by platform | Split with assumptions labelled |
| Audience | Not defined | Broad list | Platforms mapped | Overlap noted |
| Creative | Not briefed | Brief drafted | Assets approved | Formats and durations fixed |
| Measurement | Not named | Source chosen | Cadence set | Sign-off owner named |
| Compliance | Not reviewed | Rules listed | Claims checked | Approval route agreed |
| Review | No date | Date set | Criteria drafted | Stop and continue rules agreed |
The scale runs from 0 to 21 across seven rows, so a total below 12 is an average under about 1.7 per row. That threshold is a house convention, not a published standard: it treats any row stuck at 0 or 1 as unfinished.
A total of 15 or more sets an average above 2, so most rows carry evidence before the plan is briefed to a buyer or platform. Adjust the numbers if your template has fewer rows.
Score the plan with the people who own the rows, not alone. Re-score after every platform change or budget revision, and file the older version so you can see what moved.
Test the plan against the wider strategy
The template should feed into the Connected TV advertising strategy framework, which covers how the plan connects to brand, performance and measurement choices across a year.
Platform Change Contingency Test
Does the plan still work if one platform changes pricing or reporting?
Sign off the plan
Add a contingency row
Before sign-off, ask whether the plan still works if one platform changes its pricing or reporting. If the answer is no, add a contingency row.
Common questions
How long should a planning template be?
Two to four pages is usually enough. The value comes from the decisions recorded, not the length.
Who should own the template?
The media planner normally owns it, but the measurement and compliance sections need named owners from outside the planning team.
When should the template be reviewed?
Set a review date at sign-off, then review again if a platform changes its measurement, pricing or policy.
Does the template replace a media brief?
No. It sits alongside the brief and records the choices the brief assumes.



