
Strategy
Part of How to plan a connected TV advertising campaign
What belongs in a connected TV advertising ninety day plan?
A connected TV advertising ninety day plan splits into three phases: set the objective, test creative and placements, then scale what the data supports.
What to take away
- Thinkbox evidence on how TV advertising generates business growth cites Ebiquity research putting average payback at £1.79 per £1 spent across TV advertising; it is not a CTV-specific benchmark, so judge your quarter on your own outcomes.
- Divide the ninety days into three phasesdefine the objective, test creative and placements, then scale what the evidence supports.
- Agree the measurement rules before money moves, including what triggers a pause.
- Give one person ownership, because shared ownership stalls decisions inside a short window.
- Book a day-90 review where the written choice is extend, adjust or stop.
Why ninety days suits a learning plan
Ninety days is long enough to collect evidence and short enough to stay accountable. It also sits neatly inside a quarterly budget cycle, which keeps finance reporting simple.
Test length trade-offs
Four-week test
- Data volume
- Too little
- Accountability
- Short
- Risk
- Lucky result
- Budget fit
- Partial
Ninety-day plan
- Data volume
- Enough
- Accountability
- Quarterly
- Risk
- Balanced
- Budget fit
- Quarterly cycle
Six-month test
- Data volume
- Plenty
- Accountability
- Weak
- Risk
- Hidden weakness
- Budget fit
- Two quarters
A four-week test usually produces too little data to separate a good idea from a lucky one. A six-month test hides weak results behind a long average. Ninety days sits between those two failures.
The aim is to answer one question: which mix of creative, audience and placement earns its place? The Connected TV advertising strategy and planning guide sets out how objectives shape budget and format choices before you brief a partner. Skip that step and three months of numbers will not tell you much.
Weeks 1 to 4: fix the objective and the numbers
Write the objective as a business result rather than a media metric. "Grow trial sign-ups by 8% among 25 to 44s in Greater Manchester" is workable. "Raise awareness" is not, unless you can define what awareness means in your category.
Weeks 1-4 setup checklist
- Write objective as business result
- Name change approver
- Set total spend
- Set cost per completed view
- Set reporting cadence
Name the person who can approve a change of direction. If that person is absent when results arrive, decisions slip by a week.
Then set the money and rules: total spend, the cost per completed view you can tolerate, how often results reach the people who can act on them, and what triggers a pause. Do not treat a general TV payback figure as a CTV benchmark. For team-level role clarity, the CIPD's resources on organisational strategy offer general context, not CTV buying guidance.
Name the people who will execute the plan: the advertiser's accountable owner, the in-house or agency media planner/buyer, the broadcaster or platform contact, and the measurement lead. If buying programmatically, name the trading-desk contact too. Record who books inventory, traffics creative, checks pacing, reconciles reports and can pause or reallocate spend.
List the exact service and format before setting the budget. UK options may include ITVX and Channel 4 streaming (BVOD), Sky AdSmart (addressable TV), ad-supported Netflix, Prime Video and Disney+, or Rakuten TV (AVOD or FAST inventory). Confirm that advertising and suitable inventory are available for the intended audience and buying route before including a service in the plan.
Record the buying route for each service: a broadcaster sales house or direct deal, or programmatic access through a DSP such as Display & Video 360 (DV360) or The Trade Desk. Availability differs by service, so confirm access and inventory with the seller before launch.
Agree what measurement covers. Ask whether BARB reporting or CFlight is available for the chosen inventory and what it includes; use supplier delivery reports alongside it. Define completion, reach, frequency and viewability consistently before comparing results. There is no single CTV CPM, completion-rate or viewability benchmark that applies to every service, so obtain service-specific costs and set campaign thresholds before spending.
Add a UK compliance check to the brief. Confirm whether the CAP Code or BCAP Code applies to each placement and who will approve the creative; both are administered by the ASA. If audience data or device identifiers are used, agree responsibilities under UK GDPR and check whether PECR applies, using ICO guidance. Ofcom regulates qualifying TV and on-demand services, but is not the data-consent authority.
Weeks 5 to 8: test creative and placements
Test one variable at a time. A 15-second cut against a 30-second cut tells you something; changing the audience, the length and the publisher together tells you nothing. Keep a log of every change, the date and the reason. Log the hypothesis too, so a later reader knows why a variant ran.
For each supplier, record the frequency cap it can enforce, the period it covers and whether it applies at household, device or another level. Set a campaign-specific numeric cap before launch rather than assuming one cap will carry across platforms.
Write down the sample size you need before you read any result. Reading data too early is a common way teams talk themselves into a bad decision.
Creative practice carries across paid formats, so the IAB UK principles for native advertising creative best practice are a sensible baseline for keeping paid creative consistent while variants run. By week eight you should know which two or three combinations deserve the rest of the budget.
Weeks 9 to 12: scale what survived
Scaling means more money to the winning combination and less to everything else. Move budget in steps of 10% or so, and check delivery after each move. A sudden jump can push costs up and make a good result look worse.
Set the day-90 meeting before the quarter starts, with the owner, a finance contact and whoever signs off budget in the room.
Decide now what "winning" means: a cost per acquisition below your threshold, or a rise in branded search. Then set the next window using the Connected TV advertising strategy framework, which shows how one quarter's evidence becomes the next quarter's choices.
Keep the measurement approach you set in week one. Changing metrics halfway through makes the comparison useless, and the comparison is what justifies the next budget.
Day-90 decision
Use the thresholds agreed in week one to make the written choice:
| Evidence at review | Decision | What to record |
|---|---|---|
| The agreed outcome is met and delivery meets the campaign's guardrails | Extend | Which services and combinations earned further investment, and who approved it |
| Results are mixed, or only some services or creative combinations meet the test | Adjust | What changes, what remains constant, and what evidence will decide the next review |
| The agreed outcome is missed after delivery, creative and measurement checks | Stop | Why the activity ends and what the test established |
Match the situation to the decision
Choose
- Delivery is below target in week three
- Recheck audience size and frequency caps with your partner
- One creative wins on cost per completed view
- Shifting spend towards it in small steps
- Response is strong but brand measures are flat
- Reporting both and naming a brand measure for the next window
- Numbers are unclear at day 60
- Extending the test by a fortnight and recording why
Avoid
- Delivery is below target in week three
- Adding budget to fix a targeting problem
- One creative wins on cost per completed view
- Retiring every other variant at once
- Response is strong but brand measures are flat
- Dropping brand measures from the plan
- Numbers are unclear at day 60
- Declaring the channel a failure
Common questions
What should the first 30 days deliver?
A written objective, an agreed budget, a measurement plan and a baseline to compare against. Spending can start in week three, but the paperwork comes first.
How much budget should testing take?
Ring-fence a share you are willing to lose and label it a test cost. For example, a team working with £20,000 a quarter might treat £5,000 as testing and protect the rest for scaling.
What if results are flat by day 60?
Check the basics first: was the audience large enough, was the creative built for the format, and was measurement working? If all three are sound, cut spend and write down what you learned.
Who should own the ninety day plan?
One named person, with a deputy for cover. The owner keeps the test log, calls a pause when costs drift and writes the day-90 decision.



